Murder is tough on lawyers. Especially defending it, and especially if you’re Jim O’Hara, a mid-life, mid-career, and successful trial lawyer.

Jim is saddled with a defendant no other lawyer in his small town would take on. But the crime was awful and Jim is seeking desperately for something in his life that makes sense.

Homelessness is tough on single moms, especially Sophie Skribneski, a young widow with a teenage daughter to raise. Sophie needs work, but after she and her daughter spend their first night in an old, abandoned mortuary after being kicked out of their foreclosed home, she realizes she has very few choices.

Eventually Jim becomes Sophie’s landlord. It is all business, he would say, with, well, sure a fair amount of affection. Affection, though, that’s a tricky notion, a sieve, he might say, that can’t begin to explain the bizarre kindness Jim ultimately pays to Sophie.

Here's how it all begins!


Jim O’Hara, a trial attorney of local renown, sits in quiet mystery with Johnny Mondragon with only one more question to go, a difficult question because it represents stupidity piled on top of idiocy, but a question Jim has to ask.

Johnny Mondragon shot his wife, Andrea, and killed her. He used two 9mm pistols and shot her seven times until she was dead. Then he shot her some more.

Jim O’Hara, earlier, had sweated over Johnny’s request for counsel, his initial thoughts about Johnny’s act beginning with savage and ending with ghastly. He stewed, he mulled, he meditated for three days. He thought about giving the case to his friend, Stanley Cannon, then remembered more than one conversation where Stanley said he could not do murder cases anymore, that he hadn’t the nerves for it, that in his maturing years he’d begun to believe once again in innocence and felt adrift and incompetent in its absence.

Even after Jim agreed to take the case he continued to let it churn him up inside. There was a small problem with his wife, Bridget, too, whose maiden name was Mondragon. The family, though, had been very large with a good many laborers, mechanics, a few teachers, several nuns, and at least one priest. Mostly, they’d occupied a large part of the agricultural acreage in the county with some of the family making money and some not. Kids, however, they’d made a lot of those, fertility high on the list of virtues a big Catholic family cherishes.

When the case first hit the paper and Bridget saw Johnny’s name, Jim said, “Do we know him? Have I met him before?”

There were uncles and aunts and cousins of no distinction, Bridget said, no hooks to hang a memory on, though she did remember the priest, Eli, a boy a few years older than her; fragile, she remembered, with eyes the color of Coca Cola, but of the one boy, this Johnny, “Shirttail,” was all Bridget said. “Some of them live in old chicken coops remodeled to look like new … chicken coops?”

Jim worried, too, that Johnny Mondragon might be some kind of nut and difficult to control, to present as innocent. The boy’s deed suggested that he didn’t like the world saying no to him.

Jim took the case, finally, as Stanley Cannon had once said about another case, “because it gets you up in the morning feeling like you just want to pound the shit out of someone – usually it’s your client.”

Jim O’Hara would find certain excuses then, certain mitigating factors in Johnny’s behavior because that was his job. He would not find innocence although that did not bother him. Innocence, to a trial lawyer, is about what hugging is to someone making love – nice enough but not really relevant.

Selected Works

I think this book would appeal to anyone who likes a dark crime story set in a rural, somewhat remote part of Maine in a time when the radicalism of the nineteen-seventies was sweeping the country.
Ellen DeLay, an upstanding citizen of Quillifarkeag, Maine, suddenly and unpredictably leaves her happy, twenty-five year marriage for a lonely cabin deep in the Maine woods, where she makes a living dressing hunters' kill - bears, moose, deer. It seems an idyllic life, punctuated only now and then by rifle fire as she shoots into the air to scare off cheeky teens who come to taunt "the crazy woman."
A small-town lawyer in the middle of a gruesome murder case finds salvation in the world of a homeless woman and her daughter.
A young woman's morning walk through her small town finds her immersed in a small tragedy, an indifferent government, and the "science gone mad" of her best friend's husband. Quirky, goofy, nutty - yes, but a gentle look as well at some of the values that keep us from falling off the planet
A hint of generally true autobiography, this piece is part of Algonquin Books of Chapel Hill's "How I Became A Writer" series.
Quillifarkeag is a state of mind, one marked by innocence and regret, by guile and sympathy. The people there will let you into their lives - but not very far. Go too far inside and things start to echo, people get close. Honesty becomes negotiable. Bare all and someone might still say, "Were you naked or nude?" It's an important distinction. In a small place like Quilli the naked truth is hurtful. The nude truth is not so bad.

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